Talking Sh*t With Tara Cheyenne
Art making, creativity, not giving up, and living well in the process. Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer ”who defies categorization on any level” (The Georgia Straight).
Listen on:
Episodes
Thursday Apr 21, 2022
Thursday Apr 21, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
About Naomi Brand:
Originally from Tkaronto (Toronto), Naomi spent ten years dancing on Treaty 7 territory (Calgary), before relocating to the unceded territories of the Skwxwú7mesh (Squamish), Səl̓ílwətaɬ (Tsleil- Waututh), and xʷməθkwəy̓əm (Musqueam) people in 2013. She holds both a BA and an MFA from the University of Calgary and a DanceAbility teaching certificate from founder Alito Alessi. As a performer, choreographer, writer and facilitator Naomi has cultivated a unique artistic practice that spans work with professional dancers to a community-engaged practice with diverse populations. She has danced in the works of many respected Canadian choreographers and her own choreography which ranges from works as a soloist, to large group ensemble pieces have been featured in numerous venues and festivals across Canada as well as in Poland, Italy and Uruguay. In recent years her practice has been focused on values of access and inclusion as she strives to make dance within a context that both creates and speaks to community connection. In addition to her work as Artistic Director of All Bodies Dance Project, Naomi is also a Community Arts Programmer with the Vancouver Park Board and a faculty member at Langara College. Naomi is the recipient of numerous grants from the Canada Council for the Arts, BC Art Council, Alberta Foundation for the Arts, the Social Science and Humanities Research Council of Canada, as well as the Lieutenant Governor of Alberta Emerging Artist Award.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Tuesday Mar 29, 2022
Tuesday Mar 29, 2022
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
Tuesday Mar 08, 2022
Tuesday Mar 08, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About khattieQ and Jenny Larson-Quiñones:
khattieQ (they/she/he) is a performer from Puerto Rico. Co-creator and star of 2020 Fringe New Play Prize winner ‘Catalina La O Presenta: Ahora Conmigo’ which features original music. khattieQ was the guitarist and vocalist for punk band BLXPLTN. khattieQ has played as a professional musician with over twenty bands, cutting their teeth on the famous Austin, Texas live music scene. Most notably, they toured as drummer for queer femme core band The Tuna Helpers. Professional credits include Denim Doves and Casta for Salvage Vanguard Theater in Austin, TX, Heaven Born Wind at the University of British Columbia in Vancouver and Frank Theatre’s Be-Longing.
Jenny Larson-Quiñones (she/they) is a writer and theatre maker. They served as the Artistic Director of experimental new works company Salvage Vanguard Theatre in Austin, TX from 2008-2019. They have had residencies with the Workshop Theatre, New Dramatist, and the Drama League in NYC. They have trained with SITI company and worked with the Rude Mechs. They have worked internationally (in Bulgaria, Hungary, Russia) thanks to Center for International Theatre Development and Trust for Mutual Understanding. Jenny’s scripts include Catalina La O Presenta (winner of the Fringe New Play Prize 2020), Desperately Seeking Comfortable Shoes (Emerging Playwright’s Unit 2021), and always boy (PTC Digital Dramaturgy Initiative & GVPTA Digital Connections Cohort 2021). Their work has shown in Texas, Los Angeles, Vancouver, Bulgaria, Finland, and New York City.
jk jk, khattie and Jenny began creating together in 2015, officially forming jk jk in 2019. Their mandate is to create work that magnifies the disenfranchised while challenging the status quo. Their work combines khattie’s punk rock aesthetic and Jenny’s experimental theatre training to create stories that centre joy, foolishness, and social justice, in an attempt to get to the heart of the human condition. Their work Catalina La O premieres live in Vancouver in June 2022
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
Saturday Dec 18, 2021
Saturday Dec 18, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
Saturday Dec 04, 2021
Saturday Dec 04, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
http://carmenaguirre.ca/
https://www.electriccompanytheatre.com/electrics/
https://siminovitchprize.com/the-prize/past-prizes/2020-2/finalists/
About Carmen:
Carmen Aguirre, Core Artist at Vancouver’s Electric Company Theatre and Artistic Associate of New Play Development at The Stratford Festival, is an award-winning theatre artist and author. She has written and co-written over twenty-five plays, the #1 international bestseller Something Fierce: Memoirs of a Revolutionary Daughter (winner of CBC Canada Reads 2012), and its bestselling sequel, Mexican Hooker #1 and My Other Roles Since the Revolution. Currently, she is writing an adaptation of Euripides’ Medea, Moliere’s The Learned Ladies for Toronto’s Factory Theatre, Fire Never Dies: The Tina Modotti Project for Electric Company, and an adaptation of Peter Linebaugh and Marcus Rediker's The Many-Headed Hydra for The Stratford Festival’s Seed Commission program. Her digital piece Floating Life, commissioned by Stratford, can be viewed on its website. Carmen has over eighty film, television and stage acting credits. Favourites include her award-winning work as Veronica in the Canadian premiere of Stephen Adly Guirgis’s The Motherfucker with the Hat and playing the lead role of Daniela in Cecilia Araneda’s stunning independent feature Intersection. Carmen is a 2020 Siminovitch Prize finalist, Canada’s most prestigious theatre award. She is a graduate of Studio 58.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
Friday Oct 22, 2021
Friday Oct 22, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
Justine A Chambers:
https://justineachambers.com/about/
Alison Denham:
https://thepilatescenter.com/2019/06/tpc-grad-chats-alison-denham/
https://www.fullcirclestudio.com/teachers-trainers
https://www.distilledpilates.com/our-people
Zahra Shahab:
https://zahrashahab.ca/
Company 605:
http://company605.ca/
First interview with Justine A Chambers April 26th 2020 (Episode 13):
https://taracheyenne.podbean.com/e/episode-13-interview-with-dance-artist-justine-a-chambers-creativity-in-the-time-of-covid-19/
Second interview with Justine A Chambers July 18th 2020 (Episode 19):
https://taracheyenne.podbean.com/e/episode-20-new-encore-interview-with-justine-a-chambers-dance-artistthinkeractivator/
About Justine:
Justine A. Chambers is a choreographer, dancer and educator living and working on the traditional and ancestral Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations. Her movement based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances that are already there – the social choreographies present in the everyday. She is Max Tyler-Hite’s mother.
Longer bio:
The anchors of Justine A. Chambers movement based practice are found in collaborative creation, close observation, and the idea of choreography as living archive. She is concerned with a choreography of the everyday; with the unintentional dances, as she describes them “that are already there.” Her recent choreographic projects include: and then also this, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more, Family Dinner, Family Dinner: The Lexicon, Semi-precious: the faceting of a gemstone only appears complete and critical; Enters and Exits and COPY.
Chambers’ work has been hosted at: Contemporary Art Gallery Vancouver, Nanaimo Art Gallery, Art Museum at University of Toronto, Morris and Helen Belkin Art Gallery, Cantor Fitzgerald Gallery, Mile Zero Dance Society, Festival of New Dance, Agora de la danse, Canada Dance Festival, Dance in Vancouver, Dance Saskatchewan, Dancing on the Edge Festival, New Dance Horizons, The Roundhouse Community Arts Centre, Vancouver Art Gallery and the Western Front.
Chambers is a founding member of project bk, artist in residence at artist run centre 221A (2017), a selected artist for the Visiting Dance Artist Program at the National Arts Centre(2019-2020), recipient of the Lola Award in 2018, one of three choreographer’s in the Yulanda Faris Choreographer’s Program (2017-2018), associate artist and artist in residence to The Dance Centre (2015-2017),
Justine has collaborated on projects with:
Digital video artist Josh Hite: COPY: a movement based installation, Incoming, Green Boot Print (The Roundhouse Community Arts Centre, Code Lab and 350.org), Choreography Walk (2015: Vancouver, 2019: Hong Kong, 2019: Vancouver).
Choreographer and dancer Laurie Young: One hundred more
Visual artist Natalie Purschwitz and sound artist Anju Singh: Co-facilitation of Trackings and Trappings – Summer Institute at Plug In Institute of Contemporary Art
Sound artist Elisa Ferrari: EMF Movement Studies.
Dance Artist Alexa Solveig Mardon and scholar Peter Dickinson: Our Present Dance Histories
Visual artist Evann Siebens: Homemade Again.
Dance artist Claudia Fancello: Light Was The Night: Night Shifting.
Musician Ben Brown: We’re Making a Band
Visual Artist Brendan Fernandes: The Working Move (The Western Front, The Stedelijk Museum)
Contemporary Gamelan Composer Michael Tenzer: Sphinx (Tour of Bali 2013)
Visual artist Jen Weih: Stack of Moves (Wrong Waves Festival 2013)
Visual artists Marilou Lemmens and Richard Ibghy: Is there anything at all left to do be done at all (Trinity Square Video)
Dance artist Deanna Peters: One + the Other (The Cultch and New Dance Horizons)
From 20212-2018, Chambers, Sadira Rodrigues and battery opera’s Su Feh Lee co-facilitated the monthly forum The Talking Thinking Dancing Body; a conversation about aesthetics, context and artistic processes.
As a dancer, she has worked with a number of choreographers both nationally and abroad. Including: ame henderson, sasha ivanochko, battery opera, adelheid dance projects, Company 605, Tara Cheyenne Performance, Oded Graf and Yossi Berg, Wen Wei Dance, Mascall Dance.
Chambers teaches contemporary dance technique at Arts Umbrella, Working Class, Toronto Community Love-In, Modus Operandi Training Program and Ballet BC. Justine is currently engaged as an artistic monitor for the work of Mardon + Mitsuhashi, and Amanda Acorn.
Chambers is Max Tyler-Hite’s mother.See More from Justine Chambers
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.
Wednesday Aug 11, 2021
Wednesday Aug 11, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About Quelemia:
Quelemia is an Indigenous actor, writer, director, dramaturge and consultant from the Musqueam Nation. She graduated from Studio 58’s Theatre program and the Langara Film Arts screenwriting program.
She represented the Musqueam Nation during the opening ceremonies of the 2010 Olympics and since then has continued to do Land Acknowledgements on the unceded territory of the Musqueam, Squamish and Tsleil-Waututh people. She facilitates workshops and does various consultations for the arts and corporate sector.
It’s been an honour for Quelemia to be the Protocol Keeper for the Transform Festival at the CULTCH for 3 years running. In 2019 she co-hosted the opening bashes with Lisa Fa’alafi from Hot Brown Honey.
Quelemia works across Canada for various theatre companies including: The Arts Club, Bard on the Beach, Globe Theatre, WCT and The Stratford Festival. Some of her Film and T.V credits include: Invasions, Tribal, Clouds of Autumn, Blackstone, Cable Beach and Da Vinci’s City Hall and Da Vinci’s Inquest which she won a Leo Award for Best Female Guest Appearance.
Though she works in various forms, much of Quelemia’s writing centres Indigenous perspective, specifically her Musqueam knowledge and culture. Over the past 20 years, she has been learning about sχʷəy̓em̓ (Musqueam history), the original placenames of what we currently call Greater Vancouver, land-based stories and teachings.
Writing credits include: A podplay for Neworld Theatre and Raven Spirit Dance called ‘Ashes on the Water’, ‘Salmon Girl’/Raven Spirit Dance, Co-writer ‘The Pipeline Project’ /Itsazoo and Savage Society, Indigenous consultant and Indigenous content writer for ‘Lysistrata’/Bard on the Beach, ‘Skyborn: A Land Reclamation Odyssey’/Savage Society, currently she is completing ‘Women of Papiyek’/Full Circle/Animikiig Native Earth.
She was an Associate with Playwrights Theatre Centre from 2014-2016 and she completed the Stratford writing retreat in 2017. She is currently working on a commission from Neworld Theatre and creating a Podcast play series for the Arts Club Theatre.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.
Monday Jul 26, 2021
Monday Jul 26, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About Amber Funk Barton:
Amber received her training with Goh Ballet Academy, Arts Umbrella, The Banff Centre Dance Training and Ballet British Columbia’s Mentor Program. Over the past 20 years, Amber has worked as a professional contemporary dancer, working with such choreographers and companies such as Joe Laughlin (Joe INK), Gail Lotenberg (LINK dance), Judith Marcuse (Judith Marcuse Projects), Lola MacLaughlin (Lola Dance), Martha Carter (Marta Marta Productions), Jennifer Mascall (Mascall Dance), Day Helesic (MovEnt), Lee su-feh (battery opera), Karen Jamieson (Karen Jamieson) Dance Company), Josh Beamish (MOVE: the company), Dana Gingras (Animals of Distinction), Ruckus Company Productions, Adam Shankman, Mark Godden, Marla Eist, Jennifer Clarke, Emily Molnar, Wen Wei Wang, Cori Caulfield, Lina Fitzner and Heather Laura Gray. She has also been featured as a guest artist with Company 605 and performed in Neworld Theatre’s King Arthur’s Night.
In 2008, Amber established her own Vancouver based contemporary dance company, the response. and served as its artistic director until 2021. As a choreographer, her work has been presented in various venues in Vancouver, across Canada, and internationally at the Chapter Arts Centre (Wales), the NW New Works Festival in (Seattle), and the BAAD!ASS Women Festival (Bronx, New York). Her work has also extended into theatre choreographing for Horseshoes and Hand Grenades, collaborating with theatre director Mindy Parfitt of Search Party Productions, Studio 58 and Alley Theatre.
Amber continues to do the majority of her work, learning, playing and living on the unceded and ancestral lands of the Musqueum, Squamish and Tsleil-Waututh Nations.
CLASS INFO!
I am currently teaching at Luminesque Dance, Cmmn Grnd, and this fall at Uphoria Yoga. You can also visit my website www.yogawamber.com if you’d like to book a one-on-one yoga session with me 😊
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.
Friday May 28, 2021
Friday May 28, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
www.nantam.ca
www.wakeofvultures.com
Upcoming Shows:
Yellow Objects Firehall Arts Centre until May 29th
http://firehallartscentre.ca/onstage/yellow-objects-exhibition/
Autumn Strawberry (Surrey Art Gallery)
https://www.surrey.ca/arts-culture/surrey-art-gallery/exhibitions/cindy-mochizuki-autumn-strawberry
K BODY AND MIND (Open Ears Festival)
https://openears.ca/wp-content/uploads/2021/05/2021-Program.pdf
In Development:
Walking at Night by Myself (2021 Summer-Fall)
Double Happiness: Detour This Way (2021-2022)
Roost (on-going)
…wreckage upon wreckage… (2022 winter)
About Nancy:
Sound artist, 譚亦斯 (Nancy Tam), is originally from Hong Kong. She and her family settled in the suburbs of Markham, Ontario on the traditional territories of the Wendat, the Haudenosaunee, and the Anishinaabe peoples in the mid 90s. After some time, she moved to the Haldimand Tract—land that was granted to the Haudenosaunee of the Six Nations of the Grand River for music school in the Kitchener-Waterloo area. In 2011, she moved to the unceded territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations—Vancouver. She is very grateful to be part of loving and welcoming communities throughout her journey in art and in life, and this journey has afforded her many unique opportunities. She is a founding member of the Vancouver-based performance collective A Wake of Vultures, the Toronto-based Toy Piano Composers collective, and has toured with her work throughout North America, Europe, and Asia. She is an award-winning composer. Nancy’s work centres around the philosophy that sound is distant touch.
She continues to explore ways to elicit embodied and emotional responses using sound and performance as her primary media. Using multi-channel audio, and musical composition her current research triangulates between sound, space, and body to investigate tendencies of global and local mobilizations of creatures, objects, and events. Her work is form-bending and dramaturgically rigorous, often bringing the background to the forefront in creating immersive scenographic environments. Nancy has a penchant for listening to quiet sounds.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.
Monday May 03, 2021
Monday May 03, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
Balancing Act:
http://balancingactcanada.com/
Intersections of Care:
https://www.cda-acd.ca/docs/Regional%20Activities%202020%20-%2021/Artist%20Caregiver%202021/Intersections-ENG.pdf
Dance Makers:
http://dancemakers.org/
Susie Burpee:
http://susieburpee.com/
About Susie:
Active in the performing arts in Canada for over 25 years, dance artist Susie Burpee is a performer, creator, teacher, and mother to two young children. She danced for many years with Dancemakers, Le Groupe Dance Lab, and Tedd Robinson (10 Gates Dancing) and recently with Hanna Kiel (Human Body Expression) and Alyssa Martin (Rock Bottom Movement). Augmenting her dance training with studies in Bouffon and character work, Susie has collaborated on projects with Crow’s Theatre, Dusk Dances, Nightwood Theatre, and with longtime colleague Linnea Swan. Her work has received Dora Mavor Moore Awards for both Outstanding Choreography and Performance and she is a recipient of the K.M. Hunter Artist Award for Dance. Susie is on guest faculty at many post-secondary dance programs across the country, and in 2020, she completed a Master of Arts in Drama, Theatre, and Performance Studies at The University of Toronto. She is originally from rural Manitoba, a second-generation settler on the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and on the homeland of the Métis Nation. Since 2001, Toronto/Tkaronto has been her home; she now works there with Theatre Direct as producer of Balancing Act, a national platform to support caregivers in the performing arts.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.