Talking Sh*t With Tara Cheyenne
Art making, creativity, not giving up, and living well in the process. Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer ”who defies categorization on any level” (The Georgia Straight).
Episodes
Saturday Nov 19, 2022
Episode 39 - Interview with Joanna Garfinkel (Dramaturg, Writer, Theatre-Maker)
Saturday Nov 19, 2022
Saturday Nov 19, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
PTC (Playwrights Theatre Centre):
https://www.playwrightstheatre.com/
PTC's Block D Program:
https://www.playwrightstheatre.com/programs/block-d/
Universal Limited:
https://www.universallimited.ca
About Joanna:
Joanna Garfinkel is the Dramaturg, Creative Engagement at Playwrights Theatre Centre and co-founder, with Yoshie Bancroft, of Universal Limited. Joanna's focus is in collaborative approaches to new play development, multidisciplinary, and site-specific work; upcoming projects include dramaturgy with ZeeZee Theatre/VACT on My Little Tomato, and the Queer & Trans playwriting unit; UL's development on To the Sea; PTC Associates Kamila Sediego's Engkanto and José Teodoro's Binary Star. She is also working on ongoing dance collaborations, including TCP's Pants. She is the co-creator, with Yoshie Bancroft, of JAPANESE PROBLEM, a site-responsive piece about the Japanese Canadian Incarceration, which has been performed site-specifically in Vancouver, at Soulpepper in Toronto, and in several locations in between. Joanna is struck by the systemic inequities that repeat in Canada, and to troubling those patterns through performance. Other notable credits include Berlin: The Last Cabaret at PuSh 2020, and the multi-award-winning Poly Queer Love Ballad, which toured to Theatre Passe Murailles in 2019. She has been nominated for three Jessie awards, winning one (Critics Choice for Innovation); was awarded the Pure Research grant from Nightswimming Theatre (Toronto), and has received the Sydney Risk award for directing. She moved to Vancouver to get her MFA in directing at UBC, and her focus since has been primarily in new play development, multidisciplinary, and site-specific work. She has trained with Anne Bogart and the SITI Company in New York.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Friday Sep 30, 2022
Episode 38 - Interview with Myself - Origin Story
Friday Sep 30, 2022
Friday Sep 30, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
Hot Brown Honey -The Remix
https://thecultch.com/event/hot-brown-honey-the-remix/
Denise Clarke:
https://www.oyr.org/the-company/the-ensemble/denise-clarke
Nigel Charnock:
https://www.theguardian.com/stage/2012/aug/07/nigel-charnock
Hannah Gadsby:
https://hannahgadsby.com.au/
Tig Notaro:
https://tignation.com/
Mike Birbiglia:
https://www.birbigs.com/
Steve Martin:
https://www.stevemartin.com/
Martin Short:
https://en.wikipedia.org/wiki/Martin_Short
"Necropolis" by Catharine Arnold
https://www.simonandschuster.ca/books/Necropolis/Catharine-Arnold/9781416502487
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
Wednesday Jun 29, 2022
Episode 37 - Interview with Daisy Thompson (Choreographer, Performer, Writer)
Wednesday Jun 29, 2022
Wednesday Jun 29, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
https://thompsondaisykaren.wixsite.com/daisythompson/home
https://robkitsos.com/
https://www.sfu.ca/sustainabledevelopment/People/laura-marks.html
About Daisy:
Daisy Thompson is a European settler who lives on the unceded territories of the Skwxwú7mesh, Səl̓ílwətaɬ and xʷməθkwəy̓əm First Nations. Through dance practice, performance, and writing, she seeks to extend ideas of the dancing body as a key site for the questioning and interruption of logics of control in relation to culture and identity.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
Wednesday Jun 01, 2022
Episode 36 - Interview with Denise Clarke (Creator, Performer, Writer)
Wednesday Jun 01, 2022
Wednesday Jun 01, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
https://www.oyr.org/the-company/the-ensemble/denise-clarke
The Big Secret Book:
https://www.oyr.org/the-big-secret-book
https://wenweidance.ca/
https://www.makingtreaty7.com
Book: “How To Break Up With Your Phone”
https://www.screenlifebalance.com/phonebreakup
Beautiful Young Students:
https://www.oyr.org/teaching-mentorship/beautiful-young-students
About Denise Clarke:
Denise began working with One Yellow Rabbit in 1983 and became Associate Artist and a permanent member of the Ensemble in 1986. She has created or co-created several shows including The Erotic Irony of Old Glory, Touch, CD Dance, Breeder, So Low, Permission, Featherland, Sign Language, Heavens to Murgatroid, A Fabulous Disaster, Smash Cut Freeze, and wag. In 1997, Denise created the Summer Lab Intensive and as Director continues to welcome a broad range of established and emerging artists from all over the world. She continues to teach, provide master classes, and lecture across Canada and abroad.
Other work includes choreography for Theatre Calgary and Alberta Theatre Projects in Calgary, Edmonton's Citadel Theatre, Crows Theatre, Canadian Stage Company in Toronto, the Belfry Theatre in Victoria, and the Shaw Festival in Niagara on the Lake. Denise has toured extensively in shows including Ilsa, Queen of the Nazi Love Camp, Mata Hari: Tigress at the City Gates, Doing Leonard Cohen, Thunderstruck, Sign Language, and Dream Machine.
On December 30th, 2013, Denise was appointed as a Member to the Order of Canada, one of Canada's highest civilian honours. Prior to this appointment, she was also recognized by the University of Calgary with an Honourary Doctorate from the Faculty of Arts.
Recently Denise wrote The Big Secret Book, An Intense Guide To Creating Performance Theatre.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
Thursday Apr 21, 2022
Thursday Apr 21, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
About Naomi Brand:
Originally from Tkaronto (Toronto), Naomi spent ten years dancing on Treaty 7 territory (Calgary), before relocating to the unceded territories of the Skwxwú7mesh (Squamish), Səl̓ílwətaɬ (Tsleil- Waututh), and xʷməθkwəy̓əm (Musqueam) people in 2013. She holds both a BA and an MFA from the University of Calgary and a DanceAbility teaching certificate from founder Alito Alessi. As a performer, choreographer, writer and facilitator Naomi has cultivated a unique artistic practice that spans work with professional dancers to a community-engaged practice with diverse populations. She has danced in the works of many respected Canadian choreographers and her own choreography which ranges from works as a soloist, to large group ensemble pieces have been featured in numerous venues and festivals across Canada as well as in Poland, Italy and Uruguay. In recent years her practice has been focused on values of access and inclusion as she strives to make dance within a context that both creates and speaks to community connection. In addition to her work as Artistic Director of All Bodies Dance Project, Naomi is also a Community Arts Programmer with the Vancouver Park Board and a faculty member at Langara College. Naomi is the recipient of numerous grants from the Canada Council for the Arts, BC Art Council, Alberta Foundation for the Arts, the Social Science and Humanities Research Council of Canada, as well as the Lieutenant Governor of Alberta Emerging Artist Award.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Tuesday Mar 29, 2022
Talking Shit TRAILER !
Tuesday Mar 29, 2022
Tuesday Mar 29, 2022
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
Tuesday Mar 08, 2022
Tuesday Mar 08, 2022
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2022 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About khattieQ and Jenny Larson-Quiñones:
khattieQ (they/she/he) is a performer from Puerto Rico. Co-creator and star of 2020 Fringe New Play Prize winner ‘Catalina La O Presenta: Ahora Conmigo’ which features original music. khattieQ was the guitarist and vocalist for punk band BLXPLTN. khattieQ has played as a professional musician with over twenty bands, cutting their teeth on the famous Austin, Texas live music scene. Most notably, they toured as drummer for queer femme core band The Tuna Helpers. Professional credits include Denim Doves and Casta for Salvage Vanguard Theater in Austin, TX, Heaven Born Wind at the University of British Columbia in Vancouver and Frank Theatre’s Be-Longing.
Jenny Larson-Quiñones (she/they) is a writer and theatre maker. They served as the Artistic Director of experimental new works company Salvage Vanguard Theatre in Austin, TX from 2008-2019. They have had residencies with the Workshop Theatre, New Dramatist, and the Drama League in NYC. They have trained with SITI company and worked with the Rude Mechs. They have worked internationally (in Bulgaria, Hungary, Russia) thanks to Center for International Theatre Development and Trust for Mutual Understanding. Jenny’s scripts include Catalina La O Presenta (winner of the Fringe New Play Prize 2020), Desperately Seeking Comfortable Shoes (Emerging Playwright’s Unit 2021), and always boy (PTC Digital Dramaturgy Initiative & GVPTA Digital Connections Cohort 2021). Their work has shown in Texas, Los Angeles, Vancouver, Bulgaria, Finland, and New York City.
jk jk, khattie and Jenny began creating together in 2015, officially forming jk jk in 2019. Their mandate is to create work that magnifies the disenfranchised while challenging the status quo. Their work combines khattie’s punk rock aesthetic and Jenny’s experimental theatre training to create stories that centre joy, foolishness, and social justice, in an attempt to get to the heart of the human condition. Their work Catalina La O premieres live in Vancouver in June 2022
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
Saturday Dec 18, 2021
Saturday Dec 18, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart
Saturday Dec 04, 2021
Episode 32 - Interview with Carmen Aguirre - Author Playwright Actor Director
Saturday Dec 04, 2021
Saturday Dec 04, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.
Donate! To keep this podcast ad-free please go to:
https://www.canadahelps.org/en/dn/13386
Links:
http://carmenaguirre.ca/
https://www.electriccompanytheatre.com/electrics/
https://siminovitchprize.com/the-prize/past-prizes/2020-2/finalists/
About Carmen:
Carmen Aguirre, Core Artist at Vancouver’s Electric Company Theatre and Artistic Associate of New Play Development at The Stratford Festival, is an award-winning theatre artist and author. She has written and co-written over twenty-five plays, the #1 international bestseller Something Fierce: Memoirs of a Revolutionary Daughter (winner of CBC Canada Reads 2012), and its bestselling sequel, Mexican Hooker #1 and My Other Roles Since the Revolution. Currently, she is writing an adaptation of Euripides’ Medea, Moliere’s The Learned Ladies for Toronto’s Factory Theatre, Fire Never Dies: The Tina Modotti Project for Electric Company, and an adaptation of Peter Linebaugh and Marcus Rediker's The Many-Headed Hydra for The Stratford Festival’s Seed Commission program. Her digital piece Floating Life, commissioned by Stratford, can be viewed on its website. Carmen has over eighty film, television and stage acting credits. Favourites include her award-winning work as Veronica in the Canadian premiere of Stephen Adly Guirgis’s The Motherfucker with the Hat and playing the lead role of Daniela in Cecilia Araneda’s stunning independent feature Intersection. Carmen is a 2020 Siminovitch Prize finalist, Canada’s most prestigious theatre award. She is a graduate of Studio 58.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
Friday Oct 22, 2021
Episode 31 - All New 3rd Interview with Justine A. Chambers
Friday Oct 22, 2021
Friday Oct 22, 2021
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
www.marcstewartmusic.com
© 2021 Tara Cheyenne Performance
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Links:
Justine A Chambers:
https://justineachambers.com/about/
Alison Denham:
https://thepilatescenter.com/2019/06/tpc-grad-chats-alison-denham/
https://www.fullcirclestudio.com/teachers-trainers
https://www.distilledpilates.com/our-people
Zahra Shahab:
https://zahrashahab.ca/
Company 605:
http://company605.ca/
First interview with Justine A Chambers April 26th 2020 (Episode 13):
https://taracheyenne.podbean.com/e/episode-13-interview-with-dance-artist-justine-a-chambers-creativity-in-the-time-of-covid-19/
Second interview with Justine A Chambers July 18th 2020 (Episode 19):
https://taracheyenne.podbean.com/e/episode-20-new-encore-interview-with-justine-a-chambers-dance-artistthinkeractivator/
About Justine:
Justine A. Chambers is a choreographer, dancer and educator living and working on the traditional and ancestral Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations. Her movement based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances that are already there – the social choreographies present in the everyday. She is Max Tyler-Hite’s mother.
Longer bio:
The anchors of Justine A. Chambers movement based practice are found in collaborative creation, close observation, and the idea of choreography as living archive. She is concerned with a choreography of the everyday; with the unintentional dances, as she describes them “that are already there.” Her recent choreographic projects include: and then also this, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more, Family Dinner, Family Dinner: The Lexicon, Semi-precious: the faceting of a gemstone only appears complete and critical; Enters and Exits and COPY.
Chambers’ work has been hosted at: Contemporary Art Gallery Vancouver, Nanaimo Art Gallery, Art Museum at University of Toronto, Morris and Helen Belkin Art Gallery, Cantor Fitzgerald Gallery, Mile Zero Dance Society, Festival of New Dance, Agora de la danse, Canada Dance Festival, Dance in Vancouver, Dance Saskatchewan, Dancing on the Edge Festival, New Dance Horizons, The Roundhouse Community Arts Centre, Vancouver Art Gallery and the Western Front.
Chambers is a founding member of project bk, artist in residence at artist run centre 221A (2017), a selected artist for the Visiting Dance Artist Program at the National Arts Centre(2019-2020), recipient of the Lola Award in 2018, one of three choreographer’s in the Yulanda Faris Choreographer’s Program (2017-2018), associate artist and artist in residence to The Dance Centre (2015-2017),
Justine has collaborated on projects with:
Digital video artist Josh Hite: COPY: a movement based installation, Incoming, Green Boot Print (The Roundhouse Community Arts Centre, Code Lab and 350.org), Choreography Walk (2015: Vancouver, 2019: Hong Kong, 2019: Vancouver).
Choreographer and dancer Laurie Young: One hundred more
Visual artist Natalie Purschwitz and sound artist Anju Singh: Co-facilitation of Trackings and Trappings – Summer Institute at Plug In Institute of Contemporary Art
Sound artist Elisa Ferrari: EMF Movement Studies.
Dance Artist Alexa Solveig Mardon and scholar Peter Dickinson: Our Present Dance Histories
Visual artist Evann Siebens: Homemade Again.
Dance artist Claudia Fancello: Light Was The Night: Night Shifting.
Musician Ben Brown: We’re Making a Band
Visual Artist Brendan Fernandes: The Working Move (The Western Front, The Stedelijk Museum)
Contemporary Gamelan Composer Michael Tenzer: Sphinx (Tour of Bali 2013)
Visual artist Jen Weih: Stack of Moves (Wrong Waves Festival 2013)
Visual artists Marilou Lemmens and Richard Ibghy: Is there anything at all left to do be done at all (Trinity Square Video)
Dance artist Deanna Peters: One + the Other (The Cultch and New Dance Horizons)
From 20212-2018, Chambers, Sadira Rodrigues and battery opera’s Su Feh Lee co-facilitated the monthly forum The Talking Thinking Dancing Body; a conversation about aesthetics, context and artistic processes.
As a dancer, she has worked with a number of choreographers both nationally and abroad. Including: ame henderson, sasha ivanochko, battery opera, adelheid dance projects, Company 605, Tara Cheyenne Performance, Oded Graf and Yossi Berg, Wen Wei Dance, Mascall Dance.
Chambers teaches contemporary dance technique at Arts Umbrella, Working Class, Toronto Community Love-In, Modus Operandi Training Program and Ballet BC. Justine is currently engaged as an artistic monitor for the work of Mardon + Mitsuhashi, and Amanda Acorn.
Chambers is Max Tyler-Hite’s mother.See More from Justine Chambers
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.